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Tracklib: A Music Store That Will Promote Sampling?

Sampling fundamentally altered the course of music production when it started being used in the 1970s/80s. The biggest changes since? How easy it is to turn a sample into a song, and conversely how hard it has become to get permission to use those samples. Tracklib, a new online music store, is aiming to clean up the minefield that is modern sampling by creating a catalog of tracks to dig through that can be licensed for release as well. Read on for the first details.

Tracklib: A Modern Sampling-Friendly Record Store?

Tracklib is a Swedish-based startup that’s has recognized how messed up the current state of sample licensing is. It’s a process currently relegated to the music elite. These are usually successful artists who have labels (as well as cash and legal teams) that support the sample-clearing process. For artists who are starting out or who don’t have as many resources, there’s a massive risk associated with producing a track with a sample in it.

But lots of older music also goes completely unsampled (and from a publisher’s standpoint, unmonetized) as it fades into history. So the Tracklib team has made the smart decision to fix two problems at the same time and create a music marketplace that allows producers to dig for tracks, find new samples, purchase them, and eventually license them for release.

“Tracklib is a new licensing and revenue model that works for everyone. We believe it will completely revolutionize the music industry. We can’t wait to hear what people will create using Tracklib. What iTunes did for downloads and Spotify did for streaming, Tracklib will do for sampling.” – Pär Almqvist, CEO and Co-founder of Tracklib,

The first pitch for Tracklib happened back in September 2015 in Stockholm’s STHLMTECH FEST – so it’s been a long road to actually bring the concept to reality. Since then, they’ve gained the support of a few artist heavyweights – including Prince Paul, Tom Silverman, and Hank Shocklee:

What Will It Cost / How Can Producers Get Access?

Ultimately, the success of of Tracklib will likely ride entirely on if producers adopt and utilize the service. Details are a bit sparse still on the actual makeup of the music collection that the service has put together, aside from noting in their press release that:

From Swedish pop to Ray Charles, from “Impeach the President” to classic reggae, from movie soundtracks to blues from the ’50s – this is real released music. Here, every single song is available at a fair and fixed price. There are even some separate tracks and stems, for individual sounds such as drums, bass and vocals – a musical treasure that has literally been hidden in vaults for far too long.

We do know that each track in the library will cost €1.99 – that’s without licensing fees, which is a separate cost that producers can decide to pursue after they make the next big hit with the sample as a fundamental element.

For now, Tracklib is in a closed beta, but visit their site to sign up for “exclusive early access” to their beta, with a full launch expected to kick off “later this year”.

We’ve asked Tracklib to share a bit more about their service, associated fees for licensing, and more – here’s what they have to say:

Tracklib’s catalog is already sizeable, and we will over time offer music from most of the world’s labels and publishers. Naturally, we can’t share commercially sensitive information at this time such as the exact size of our catalog or the specific rightsholders we are working with – out of out of respect for all parties. We do think we’ve just reached the critical mass when we can start inviting in the first batch of producers, however.

Sample licenses cost from $50 to $2500 with 95% being $50 right now. It should definitely be affordable. This isn’t royalty-free music, however, you have to give up a (fair) percentage of your new song to the original writers and rights-holders. But all of this is upfront and you will know the pricing even before you download any track.

To just download tracks is just $2 per file. That gives you 16bit WAV files that you can do what ever you want with them – but just not release them. So we’re not forcing anyone to buy expensive licenses until they do something worth releasing. We’re really trying to make this into a fair service for everyone involved.

 

Leave your own thoughts and questions in the comments and we’ll ask them to respond 🙂 

  • Pingback: Tracklib: Making Sampling Into An Easy 3-Step Process – REP 5()

  • Complete93

    Looks like they have the domain for tracklib.com, but no page/content, yet?!! I went and it’s blank.

  • partofthepuzzle

    If they can get this to work it will sure beat dealing with going through lawyers to obtain and negotiate sampling rights!

  • Pingback: Tracklib: Making Sampling Into An Ease 3-Step Process – REP 5()

  • killmedj

    This is fantastic!

  • ?The Other Denzel?

    They’re doing it wrong.

    I mean, this is awesome for clearing sample’s, but what modern musicians needs is a way to….

    I’m just gonna have to build it.

  • Pingback: Tracklib: A Music Store That Will Promote Sampling? – dPico AUDIOS()

  • An interesting concept and good if they support the artist with the legal aspect of things, if they do complete a track with the sample. For me though part of the excitement of sampling is feeling like you are the first person to have discovered a break. Would this just be as rewarding as purchasing a sample pack? Seems like a functional process rather than digging…
    @kingporteous

    • DJ D-One

      The point here is you can know for certain how much you will have to pay for the rights to a sample and the percentage of of revenue you will have to give in a nicely automated process, this is huge for people that have actual commercial/profitable releases. It simplifies the legal sample clearing process which can be a pain in the ass in the “normal way”.

      Digging sure is fun but whats the point if you cant legally release what you proceeded with it? This is not a service for smaller beatmakers that sell some beats here and there.

      I don’t think its similar to packs at all. Lets get real for a second, nowadays 90% of the people sampling dig the digital way (spotify and youtube, etc..) it might not be your case but most people do it. If Tracklib’s catalog is as big as its expected i don’t think its gonna ruin digging as that was already ruined by the internet a long time ago.

      • Your right, it’s all about evolution. Just takes a while for old timers for me to get their heads round it! This could be the a change we look back on and thing, how did we do without it?

        I think you nailed it with your comment on digging digitally, YouTube is a huge resource of discovery now, especially as you can hear stuff that has been long out of circulation or otherwise financially prohibitive for people to hear.

        What i was suggesting with the comparison to sample packs was will the service say – “Buy this track it has a great break on it” that is a very different experience to listing to music digital or otherwise and a part suddenly grabbing your attention.

        @kingporteous