Today we're releasing two more videos from Ean's series on using the Roland AIRA TR-8 alongside Ableton Live in a live performance setup. The first video focuses on using delay on hi-hats for a fresh live drumming feel, while the second shows how just a bit of bit crushing can make rides sound really cool. All of the effects are MIDI-mapped, turning the TR-8 drum machine into a powerful live instrument!
We're excited to present yet another video in our studio production series from Riverside Studios in Berlin. This time, production duo Pan-Pot show off a few clever techniques for recording handheld shakers and mixing them in a track, as well as share why it's important to get a solid rhythmic take on shakers and not rely Ableton's warp features to clean up a take.
We've got a brand new video in Ean's ongoing series about turing the Roland AIRA TR-8 into a super-charged performance and production tool by connecting it to Ableton Live. In part two, Ean shows off how a little bit of clever delay can dramatically change the sounds you're playing. With some MIDI mapping magic, it becomes a wild and fun performance technique - watch the full video inside.
The Roland AIRA TR-8 is an incredibly powerful standalone performance and production tool - but what would happen if you super-charged it with a bit of creative MIDI mapping and sound manipulation in Ableton Live? In part one of a new series, Ean shares his technique for taking the tom-tom channel on the TR-8, adding resonance to create a synthesizer-like sound, and then adding more effects on top. It makes for an expressive and fun performance tool - watch the full video inside.
For a new video series recorded at Riverside Studios in Berlin, we've asked talented studio producers to share their secrets on bringing live instruments into to electronic music productions. In this first episode, production duo Pan-Pot share how they record a traditional African kalimba into Ableton Live and resample it on the fly. Watch the full thing after the jump.
During any type of performance, being able to have unique layers on your set of controls is key - that's why shift layers and pages exist on MIDI controllers. But what if all you needed for a second and third set of sounds was to change the button length (how long you hold a button for)? That's exactly what this Midi Fighter Multi-Sample Patch for Ableton Live does. Read on get a free download of this powerful tool!
Ever wanted to use a cool patch across multiple cells in a soundpack? While Ableton’s Drum Rack will let you apply a Device Chain to all cells, or a single cell, it won’t let you assign it to multiple cells. In today's article, learn how DJTT soundpack designer Apoth has found a creative solution to do exactly that: Rack Patching.
At the crossroads of DJing and production lies the evolving role of the live producer/performer. Not truly a DJ, but more than a producer, it begs the question – what does "playing live" mean in this day and age? It's a personal decision - some will choose to DJ – itself an honorable and life-long quest - while others will seek more performative live experiences. In today’s tutorial, Mad Zach shares one strategy for taking a finished song and using parts of it to create a performable kit in Ableton and Maschine.