Reverb is one of the most essential effects in your audio production toolbox. It adds space, air and life to the otherwise room-less tones of electronic music. But it's easy to overlook the vastness of tone that lies beyond “hall” and “cathedral.” Today we go deep into the studio with Mad Zach to learn three creative sound design techniques for working with reverb.
Look out Ableton, Traktor might take your job soon. As teased in yesterday's video, Native Instruments new stems format is set to drop very soon, and many have been asking if DJs will embrace the format. We suspect that a surprisingly different group of people will embracing this style of mixing: live performers. Will Ableton Live see an unexpected competitor to its platform? We think it's a strong possibility.
Many live producers and performance artists rely on looping as a way to build a sonic landscape and craft unique shows that vary every time. Beatboxers, finger drummers, and musicians of all types have taken advantage of a loop-based performance. New DJTT contributor Underbelly shares how anyone can use Ableton Live to create a loop workflow that is just as good as any hardware solution.
Varied percussion in your tracks can be painstaking to program and often we’re guilty of having a ‘loop-and-forget’ mentality! This is an easy trap to fall into and can halt your tunes from giving the listener enough variety to keep them interested. New DJTT contributor Gary Harper (aka Demi Gods) shares a very quick and simple way to make 16 different variations from just a 1-bar loop!
There’s a brand new update to Ableton Live released today, version 9.2. The update tackles latency and warping, and adds new features like Max for Live 7 and an instrument Tuner. There’s a new 64 pad mode for Push users, and even a Mad Zach soundpack included to demo the mode. Read on for details!
Ever wonder how artists like Flume and Flosstradamus are able to bend vocals and pitch them up/down like an instrument? It's actually quite simple and is an extremely popular technique used in lots of trap, future bass, and new R&B tracks. Today Multiplier is going to show you how to create a vocal instrument that can be played with a midi controller in Ableton Live.
One of the advantages of using Ableton for live performance is the wide range of effects and the ability to combine these effects into custom "audio effect racks". Building your own audio effect racks allows you to make your own effects combos that are tailored to your performance. Today, Alex Lee, shares one his own custom effect racks, "noisy transition" that's perfect for transitions.
If you've ever seen artists like ill.Gates, Shawn Wasabi, or Mad Zach perform live, you know that soundpacks are one of the best ways to really give a unique performance. The challenge is seamlessly switching between different sound packs on the fly. Today Mad Zach shares an awesome trick for quickly switching to a new sound pack, without interrupting the music, during a live performance.