Two months ago we featured a unique way of recording + sequencing Serato cue points by using a hardware sequencer. The DJ behind the idea, John Type, is back with a new concept: using Ableton to sequence cue points played on a MIDI mixer (or any cue point controller).
The team behind touchAble, the iOS controller for Ableton, is celebrating the app turning five years old and amidst the celebrations the team is offering an updated version of the app. TouchAble 3.1 improves upon the foundation of earlier versions with new features that were primarily requested by the user community which includes modulation wheels, variable font size, and more performance enhancement additions. iOS DJs and producers may find that touchAble is the most optimal and affordable way to control Ableton Live.
At what point does a certain number of pads become overkill for a fingerdrumming routine? In this video from Tony Beatbutcher, he combines three Ableton Push units and a Korg Nanokontrol 2 for a routine. Is it too much, or should he add a few more controllers into the mix? Watch below:
DJing and controllerism routines have the same issue that a lot of other digital media have online: getting heard amongst way too much noise. For a fun Friday article we thought it would be great to round up some of the most under-appreciated (low in views, high in talent) routines that we've seen on YouTube recently. Watch all our favorites in this article.
There’s a brand new update to Ableton Live released today, version 9.2. The update tackles latency and warping, and adds new features like Max for Live 7 and an instrument Tuner. There’s a new 64 pad mode for Push users, and even a Mad Zach soundpack included to demo the mode. Read on for details!
Ableton continues to rule the domain when it comes to a completely integrated hardware instrument for their software DAW, with the Push. We've seen it used any number of ways since it was first released in 2013 - sequencing drums, samples, and FX alongside DJ setups or for crafting songs from scratch. Starting yesterday, Ableton has put on a flash sale of their Push controller - something that we've never seen from the company before. Perhaps the upcoming Launchpad Pro release (expected at the end of July) and the new Launchpad MK2 annoucement last week has the company concerned about their place in the hardware world.
Believe it or not your percussion samples may be completely out of tune! Even atonal sounds like kicks and percussion samples can be out of key and pitching these samples is often overlooked. Paying attention to the pitch of your sounds, even percussion, will make your productions and more importantly your music, sound better. So to prove that your kicks can be melodic as well as rhythmic, we are going to create a melodic kicks rack.
One of the most popular features of the Ableton Push is its "scale" functionality that places all the right notes in a chosen key across the grid of buttons. This makes it incredibly easy for anyone to play chords, melodies and progressions without any music theory experience. The new Kontrol S series of keyboards from NI also unlocks countless scales and modalities for beginners unfamiliar with note structures on a traditional keyboard. At first glance, this appears to be welcome progress - but when you take away all the "wrong notes", have you also stripped away the magic of possibility?