For todays artist gear setup, we're going to switch things up. Rather then look at what DJs/producers take with them on the road, we're going to check out the gear they use in the studio. Starting with DJ, producer, and remixer, Yousef. As a producer Yousef has releases with Desolat, Objektivity Records, and Defected and he's remixed artists such as Carl Cox, Moby, and Blakkat. Youssef gives the DJTT community a peak inside his studio and talks about his analog synths, studio montiors, and why Cubase is his DAW choice.
Today we have an extra special artist gear setup for the DJTT community featuring technical jedi, James Zabiela. It’s been a few years since DJTT first spoke with James Zabiela about what’s in his bag. He packs an incredible amount in his bag and for anyone that’s ever seen him perform he takes full advantage of […]
One of the challenges with producing electronic music is maintaining a human feel in the music. If producers aren't careful, loops and patterns can easily sound robotic and stale, leaving listeners bored. Today Multiplier shares a simple trick to help humanize drums and add some variation in Ableton using the Velocity effect.
Producers know very well that feeling when one hears a song and thinks, “I could make a killer remix!” After downloading the stems and before they can begin working on a killer remix, they have to spend a significant amount of time un-warping tracks, leveling out the mix, etc. By the end of the preparation journey, much of that […]
In today's electronic music landscape the word remix comes up almost as much as original production. Whether it's a trending bootleg on Soundcloud or an official remix by an unknown artist for one of your favorite headlining acts, remixes are a great way for new and seasoned producers alike to get their name out there hone their skills or just have a lot of fun. Mad Zach has put together a cool and informative video tutorial covering 3 different techniques and strategies that he uses when working with stems to create a remix. In today's feature Mad Zach has put together a cool and informative video tutorial covering 3 different techniques and strategies that he uses when working with stems to create a remix.
It seems these days that more and more apps are coming out on the market for the iPad and iOS. While there is a lot of copy cats and poorly programmed apps, there are some that offer viable solutions for the DJ looking to get more out of there iOS device. Inklen introduced the Tonetable app in 2011 which is a DVS control device for your iPhone, iPad, or iPod Touch. DVS control for iOS is really cool but the folks at Stagecraft took the app to the next level by creating a compatible VST. Read more below about how Tonetable now can be used to create scratch effects in any VST compatible DAW and what Scratch Track brings for producers.
Things have been a little quiet in Berlin but today the silence is broken. Ableton has just announced a public beta for Live 9.2, the next major update to Live 9 since November 2013. There are some exciting new features that Live and more specifically Push users have been waiting for: use all 64 pads for drum racks, improved aftertouch implementation, and using the touch strip for modulation. Keep reading for more details and a Push performance from Mad Zach.
Splice is one of the best solutions for collaborators to work remotely on tracks without worrying about hosting and sending Ableton, FL Studio, Logic, and Garageband project files. The service does all the heavy lifting by packaging all the sounds into one file and sends the package to collaborators . Today, Splice announced a new feature that solves the big problem producers face when it comes to collaborating on projects that are missing plugins. Instead of finding and downloading all the plugins that are missing, producers can now purchase them via Splice's plugin store and manager.