Review: Native Instruments Maschine Mikro

Native Instruments had a bit of a sleeper hit with Maschine. It started off slowly but in the two and a half years since its release it’s managed to cause quite a stir. Now, Maschine Mikro is the new kid on the block; is a cut down version of the beat making machine a DJs dream?


  • Width: 320 mm / 12.6″
  • Length: 195 mm / 7.7″
  • Height: 55 mm / 2.2″
  • 1.2 Kgs / 2.6 lbs
  • Black and white display 64 x 128 pxs
  • 16 illuminated pads with velocity and aftertouch
  • One master knob
  • 28 backlit buttons
  • USB 2.0


  • Sturdy build
  • Excellent software
  • Sensitive pads


  • Absence of knobs and faders
  • Price


If you use Mikro as a groove box and integrate it into your set that way, then it’s great value providing you have the horsepower to run the Maschine software alongside your DJ software of choice. If you’re just planning to use it as a MIDI controller, it’s a bit of a waste of money.



There’s a very important point regarding Maschine: it’s not a controller, it’s an ‘integrated solution’ in that it’s a software groove box with a bespoke piece of controller hardware. It’s not too surprising, then, that the pure DJs and controllerists amongst you haven’t really jumped on the ‘full fat’ Maschine seeing as it costs twice as much as a pad or button controller that can do just as much if not more with your DJ software.

Regardless of what some people would have you believe, it’s not a prerequisite to make music to call yourself a DJ. Music production and DJing are two very different skillsets – albeit with some overlapping qualities – but that’s not to say that a groove box should be outside the realms of  the DJ booth, so let’s take a look at how Maschine Mikro fits into the DJing paradigm…



Mikro is a sturdy little piece of kit, with a metal faceplate and good quality plastic bodywork. If you’re precious about keeping your equipment pristine then it’s probably a good idea to invest in carry cases and maybe even an overlay, though, because the black topcoat on the faceplate scratches quite easily to reveal the metal underneath.

The menu and function buttons on Mikro are squidgy and don’t click when they’re pressed; they’re not the best buttons for assigning to things you want to go nuts on, but their slight springiness means they’re not the worst either. The pads, on the other hand, feel great. They’re velocity and pressure sensitive, and sensitivity is constant across most of the pad. At the very corners of the pads there’s a tendency for them shift in the housing rather than trigger, but they’re large enough that that’s not really an issue. The pads don’t depress much, and the rubber’s very firm so there’s not much bounce – just enough to be kind to the pads of your fingers whilst rocking out a heavy handed cue juggle. The sensitivity is such that when set to max, poly pressure is actually triggered with a hair’s touch, and note on takes just a little bit more to register. This is probably a ‘safety’ feature incorporated by NI as you can literally trigger poly pressure messages on other pads when your shirt sleeve (in my case comfortable cardigan) touches them whilst pressing another.

Mikro’s solitary rotary encoder doubles as a push button. To those of you who’ve used NI’s Kontrol X1: more of the same. Those that haven’t: it’s got about 20 clicks per turn, feels just right, looseness wise, and the button press sits just right between being too easy to accidentally press and being tough to get when you actually want it.



The Maschine software itself has become incrementally better featured in its two and a half year time on the market. It started out as a simple, closed off groove box and now it’s happy to play with other software by syncing MIDI signals, using plugins, sending multiple outs, even being a plugin itself while it does it. If you use something like Ableton Live or Torq to DJ then you’ll be able to drop Maschine in to your rig as a plugin, or if you’re a Traktor user then you’ll have to sync the software behind the scenes. Once that’s done, though, you’ll be able to trigger loops, samples, and effects in perfect time with your host with way more power than, for instance, Traktor’s sample decks.

The Maschine software (at 1.7 at the time of this review) has so many features, some of which aren’t that relevant to DJ use, that going through them all would take an age and wouldn’t really leave you any better informed as to whether or not it’s got a place in your setup. That in mind, here’s a list of the killer features that make Maschine potentially great for DJs:

  • 128 sample pads. The eight groups of 16 pads means you have a huge 128 samples available, and every one of those samples can be played at any pitch – with a couple of button presses turning the pads into pitch mode – and have its own effects applied to it. Considering they’re also velocity and aftertouch sensitive, there’s a lot of creative possibility.
  • Loop slicing. If you want to import a loop but also want the ability to get creative with it, Maschine has built in slicing to allow you to chop up that loop and place it on the pads automatically. Use a group to get each pad playing an 8th note of a two bar loop and go nuts!
  • Sequencing. Maschine is a sequencer at heart, so when you’ve loaded in a bunch of samples – be they drums or a chopped loop – you can program in your own loops to trigger and blend with your decks, and easily switch between patterns on the fly.
  • Step editing. One of the best looking features of Maschine is its step edit mode. As a pattern plays, the pads become a representation of the 16ths in a bar and will light up in a cycle depending on where the playhead is, as well as showing where hits for each sample lie in the pattern. You can use this to please the crowd as well as as a fun way to edit loops on the fly.
  • Huge library. Maschine comes with over 6GB of sounds to play with, which equals a massive amount of preset kits and every single kit has at least one pattern; just load up a kit you like and go!
  • Great effects. The effects in Maschine are designed to be used in real time, and they all sound great; they’re more flexible than Traktor’s and there’s space for three per sample, another four on top for each group, and four on the master as well.

You can also load in VST/AU effects and instruments to Maschine, send 16 separate outputs, and a whole lot more besides. All this functionality does come at a cost, though, and much like software like Ableton Live or perhaps Torq, whose more open nature means that there’s more of a need to test things on a per-project basis, you can’t guarantee you’ll be able to add things ad-infinitum (and it’s definitely not a great idea to test out a brand new idea on the night).



Whilst Maschine is 1:1 mapped to its own software, you’re quite welcome to use it as a MIDI controller too, and switch between modes by holding Shift and pressing F1.

The Maschine Mikro controller editor is really simple to use. It allows you to decide whether you’d like to use the group mode of the pads or have the group button as an assignable button, as well as allowing you to create at least 40 (I got bored adding them by that point) different pages for the knob, F1, F2, and F3 buttons that are switched with the left/right navigation buttons. All the buttons can be set to hold, toggle, gate, and even incremental directly in the hardware, and setting up the LED behaviour is simple.

One disappointment with the editor is the way that the blue LEDs can’t be utilised in MIDI mode. I suspect that only the top eight pads (the ones used for group selection) have the multi colour LED, but it would still be nice to have the option to use them.

Whilst you can use Maschine simply as a MIDI controller, and it’s great to have the option to do so (especially as you can switch on the fly), it’d be a really daft idea to buy one just to map to MIDI software. In doing that, you’re shouldering the development costs and licence to the entire software side of Maschine that make Mikro cost more than competitors’ pad/button controllers that have more, or at least more relevant to DJs, controls. (the Akai MPD32, Korg PadKontrol, and the DJTT Midi Fighter spring to mind).



Maschine can be a dumb controller, provide loops and samples to augment your DJ set, and even moonlight as a capable music production tool when you’re away from the decks. The thing is, it’s only really great value when you want to do ALL these things. It’s good value if you want to do a couple, and not so great if you only want to use it as a MIDI controller. It’s definitely better placed to augment a setup than its big brother though, whose imposing size might not easily find a place amongst your existing equipment.


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Comments (31)
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  • Britten

    right now my setup includes a maschine for deck control, traktor 2, an audio 10, and a mixer. minimalist controler setup

  • Onemandarine

    perfeKto !

  • John Shaw

    anyone have any idea how to sync this with traktor 2 with no midi in and out on the back?

  • Eddie

    Great review I bough one 2 weeks ago and it rocks. But I want to mapp the mikro to my traktor 2 setup only mappings and videos I see online is with the maschine mapped to traktor 2, is it possible someone can upload an video or u guys how to mapp this thing or have an mapp file…

  • JayReilly

    I use it as a sampler and midi controller inside of live, it’s a lil confusing without knobs(I used the standard model as well) but mode and parameter selection is intuitive. I think it will be nice as a sampler. Autowrite for automations is gone, you cannot play a note and run an automation in real time, gotta mouse mix…no big deal though. Need some TP2 maps please! Any controllerist who has got a good map, PLZ POST!!

  • Nikitas Grs

    nice review …. we want denon mc 3000  review to !  !  !

  • Sonicwolf22

    i can not wait to incorporate this into my Traktor 2 setup

  • Cleblanc9307

    I’m looking to get this for producing… Basically you are saying it’s pointless for DJing (I agree) but what about producing alone..

  • MuSa

    it would be cool if can have the instant gratification mapping fot this Cay you Ean?

    • Aaron Hall

      Amen to that I’ve been trying for the longest to get my maschine mikro midi mapped to the instant gratification mapping.  And i got it “somewhat” working lol.  like the FX will fire, but when you press one of the buttons, it deactivates the FX on that deck and you have to re initialize the fx bank on that deck after you press the button.  Can we PLEASE PLEASE get a mapping for the maschine mikro for the instant gratification

  • Bishop D'Guruve

    Any way we can get some mappings for Traktor Pro 2. Just Got My Mikro and I am not that savvy with midi mapping.

    • Britten

      its pretty easy to map to traktor, you just need to o into the midi mapping mode and figure out what the commands do. thats the hardest part. i bet you could find a command guide online somewhere though.

  • Chonie Diego

    MPD pads are way too stiff. 
    Korg pads are nice, but they will glitch out on you. (buy the insurance) 
    MPC pads are really nice but they cost a thou for 16 of em.
    Sparks layout sucks.
    Trigger fingers are discontinued.
    Maschine pads are dope.

    I bought a Maschine and found the software to be a bit difficult. I can do everything in there quicker in Ableton (plus warp). -downloaded the drum rack remote script for maschine and slice audio to midi with the St. Joe chop and choke preset (boost level to -3db, extend release, and put all pads on the same choke group)

  • nomercystunt

    I use an s4 and a midi fighter mapped to traktors effects but i am looking to add to my set and explore a little more, with samples and whatever else, do you think this piece of equipment is worth getting?

    • Henry

      If you produce music too, then definitely. It can even replace your midi fighter (unless you have the 3d) because there is a mapping for the sixteen pads to do the midi fighters 16 buttons. I reccomend this if you produce music as well as being a dj

  • Deaconjonez

    I bought this 2 weeks ago love everything about it great piece of equiptment

  • Lewis Fisher

    Aturia spark is better with more control, Software is easier to use too. less time going through menus and more time spent on your groove.

    • Lee Grace

      i agree.  I was in the store the other day and loved playing with one of these 

  • Leigh Corrigall

    Hmm… I think I would still buy a Maschine over a MidiFighter even without the faders and knobs as it seems much more sensitive to finger and dips into lots of other useful areas such as ableton live.

  • DJ Rock Well

    “two fx slots per sound/group/master”???
    Not since version 1.5 was superseded the best part of a year ago. Since 1.6 came out we’ve had four slots in each, with the first in the sound section generally used to for the sampler module.
    Not massively relevant to the article but I know, but it’s bugging me!

    • Chris Cartledge

      Oh of course you’re absolutely right Rock Well, thanks for pointing that out. I’ve corrected the article.

      • DJ Rock Well

        Thanks Chris, my OCD can rest now!

  • Thereverandnd

    I wondered about the mikro, I am a full size maschine guy, and I don’t think I’d change. But it’s good NI is bringing option to the market.

  • Ahoee

    I really like this blog and read it at least once a week for quite a long time now, but i dont get the point of this article : u do realize that testing a product designed for music production as a DJ controller and concluding that its not worth the money if we want to use it only as a DJ controller, but may worth it if we want to use it as a production tool is a waste of time for you and the people who read you…

    • nelly

      I really like this blog and read it at least once a week as well but rarely post or reply to people but do you not think that people’s curiosity as to whether this controller is suitable for a dj setup would have been answered by this article? 

      Not all dj’s out there are purely Dj’s, some have vast sample banks and might prefer to launch those samples from a dedicated controller that has pads as opposed to the onboard sample decks in traktor. Others might have a plethora of loops samples hits and what not that they’ve created with their full maschine set up but have been reluctant to bring out the larger version. This gives them what they need for a live performance. 

      Others will think of more creative was of using the mikro. End of the day regardless of whether a review/insight to a product confirms or denies people’s opinions about a product it’s the fact that they’ve gone through the hassle to let us know if our thoughts on the mikro were in fact true or false. Some articles are meant to do exactly what this one does and point out some of the more obvious facts and truths. It still gives the consumer looking to buy peace of mind knowing it does what he/she wants it to do. 

  • Cybertrash

    I demand pictures of this ‘comfortable cardigan’!

    • Chris Cartledge

      Ha! I may have been sporting it in the string theory video, if I recall correctly…