DJ History: Spring 1979’s Issue of D.J. International

For a lot of DJs who are relatively young, it’s easy to forget that the culture and media that surrounds DJing today comes from a long history of publications and communities that have come and gone throughout the years. Even DJ Techtools was largely born out of Ean’s Digital DJ column from the now-defunct Remix magazine.

Today, the folks over at Gridface (an online electronic music magazine) have discovered a relic of DJ publication history, an issue of D.J. International magazine from Spring of 1979. The publication was started by Rocky Jones, who would in 1985 go on to start a formative Chicago house label with the same name as the magazine. Gridface’s Jacob Arnold notes the wide array of topics covered in this inaugural issue:

Jones surveys DJs on the topic of unionization, observing “a fear of corruption and unfair practices.” Another piece describes the first annual Aragon Ballroom “Battle of the D.J.’s” won by Kenny Jason. (In a possible case of sour grapes, a couple of Gay Chicago articles from the period imply that Jason won because he was associated with the event promoters.) There are profiles of Kenny Jason, Lou DiVito, Rick Gianatos, and Al Siewart, as well as photos of many other DJs.

Interestingly, a blurb on Chicago raising its drinking age predicts a resurgence in juice bars. There is also a short article on local disco diva Linda Clifford, whose singles, in particular “Don’t Give It Up,” are still played by house DJs in Chicago.

I’ve included my favorite page from the publication down – detailing the Battle of the D.J.’s mentioned above – and you can use the links below to check out the full gallery of the publication. It’s pretty incredible to read how the artform of DJing and the technology used is discussed in that era of disco.

More Info:

1979battle of thechicago housed.j. internationaldj historygridfacejacob arnoldrocky jones
Comments (12)
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  • Ryan Supak

    I love the segment on Digital Recording (“the mode of the future”). According to the article, Digital Recording has no [bass] or [treble] distortion, and no tape distortion.

    Funny that so many people use tube gear, vintage compressors, tape machines, and vintage gear-emulating VSTs just to get some of that distortion back.


  • Guest

    You should definitely hyperlink…

  • Guest

    Lame! You basically stole this post from

    • urbanfabric

      If it wasn’t for DJTT I wouldn’t have know to check Gridface in the first place. You should be thankful not hateful.

  • Anonymous

    Loving this stuff! I still have many issues of a Dutch 80’s DJ magazine called “Disco dance”

  • Dj O

    Happy to see articles like this! I love the diversity of this web site and it’s articles. You stay classy DJTT!!

  • Micah

    For some reason, this article isn’t showing on the main site.

    • Michael Mitchell

      This article is part of the new “Breaking News” series, these articles dont follow a schedule nor do they show up in the main blog feed, however you can always check on the side bar for new content.

  • OUI

    haha an article that actually means something to the history of DJing and no comments lol

    • dj Royal Tee

      They only show up to B!tc4 about djtt grammar…lmao..oh,and look for free stuff..smdh.
      Also, this is an article about djing and there are many, we’ll call them “hobbyist” who don’t really grasp the concept of what a dj actually did back in the day….or even now.
      Good article to see posted on here actually refreshing to see.

      • mrfingerdrums

        you are a dick jockey