History of Raves: Anjuna Beach + Goa Trance

Tucked away on the western shores of India lies one of electronic music’s most storied towns. Anjuna Beach, located in the state of Goa, has developed a name for itself in the rave scene for their legendary full moon parties, but its musical history goes much further back. Today Akhil Kalepu gives a history lesson on Anjuna Beach and its influence on shaping the sound of Goa trance and the Goa scene.

New Frontiers: Anjuna Beach

Before getting annexed by India in 1961, Goa was a province of Portugal for about 450 years, leaving a unique concoction of cultures in the state. Eventually, Anjuna became a popular destination for hippies and expatriates from Europe and North America, forming the basis for the future rave scene and the birth of Goa trance, though the exact details of the origins are hazy.

The first modern settlers came to Colva Beach in southern Goa. Whether they were beatniks or hippies, they trekked from America and Western Europe, all the way to South Asia, attracted by the spiritual nature of the Indian subcontinent. Hinduism was becoming more known to the western world, and many hippies were getting familiar with Dharmic religion and meditation, as well as India’s famous hashish, which was legal in the United States until the mid-70s.

Led by dirt roads, they eventually made their way from the west, to Goa’s capital of Panaji to the western shores lined by palm trees. These fishing villages along the coast had barely any modern infrastructure, keeping a lifestyle that was starkly different from life in the West, an attractive alternative for the counterculture movement that grew up in industrialized society.

Settlements

It wasn’t until sometime in the mid-60’s that the Goa scene really got started. An American expatriate named “Eight Finger” Eddie was looking for a spot to setup a hut when he heard about a little known beach called Anjuna. Most of the local population only spoke Konkani, making it difficult to for foreigners to start a life there.

Things got easier when Joe “Banana” Almeida started a restaurant where he would help out hippie travellers visiting the town. The place became a sort of hub for incoming westerners, who were starting to spread throughout the country. Eventually, New Year’s Eve in Goa became a legendary event for the hippie scene.

While Goa has become more commercial over the years, “Eight Finger” Eddie still lives in Goa, and that restaurant still operates today, run by Joe’s son, Tony. Walking through Anjuna Flea Market, you can even spot veterans from the hippie generation mixed in with the modern day backpackers. The Flea Market was also instrumental in shaping the scene, providing newcomers an opportunity to barter their unwanted possession to start a new life, as well as functioning as a hangout spot.

Locals will tell you that Anjuna was chosen because it lacked a police station, allowing these drug-friendly immigrants to imbibe without having to pay baksheesh (bribes). The open atmosphere can more accurately be attributed to Goa’s history as a Portuguese colony.

The heavy European and Christian presence made the local community familiar with western customs with partying, as well as sexuality and privacy, though it is ironic that the hippies escaping the west chose the one place in India with the most Christian influence. The Goa beaches were also conveniently located to India’s transportation lines, providing easy access to Bombay, an access point to Rajasthan and Nepal in the north.

For more DJ history check out these must watch DJ movies/documentaries.

Influencing the Rave Scene

These few decades, as well as Goa’s historical influence, provided the foundation for the rave scene to take off in Anjuna. The original settlers were partying to the guitars and psychedelic rock records they brought from back home, having jam sessions on the beach, fueled by LSD and a thirst for enlightenment. In the late 70s, electronic minded bands like Kraftwerk were changing up the local music scene, and by the mid-80s, much of the hippie element in the scene had died out and local DJs like Laurent, Fred Disko and Goa Gil were starting to rock parties with industrial and EBM (electronic body music) records.

Further reading: History of the Rave Scene: How DJs Built Modern Dance Music

The very first electronic song played was supposedly a Kraftwerk track back in 1970, brought over on tape by a visitor, a story that defines Anjuna’s music scene. The sound was an eclectic mix of disco, house, techno, rock, pretty much anything that hippies were bringing over on tapes, as the music community was completely underground, with tracks traded from DJ to DJ without any support from labels. The push into electronic production was initially resisted by the veteran acid heads, who preferred live bands with tapes playing between sets.

This resentment was quickly forgotten with the onset of synthesizers, samplers and midi equipment in the 80s. Artists like Front Line Assembly, Nitzer Ebb, and Orbital were fueling much of the material in Anjuna when the rave scene was coming together. These tracks would be remixed by local DJs, often removing lyrics and manipulating them into what became the Goa-style. As the 90s came in, Anjuna had achieved worldwide fame as a party destination that still carries on today, though with fame comes the usual complaints of commercialization.

Transcendence: Evolution of Sub Genres

Goa Trance enjoyed its heyday into the mid-90s, though its influence would carry on in the electronic music scene. While trance music exploded in popularity, the Goa scene morphed into psychedelic trance, with many of the original players like Hallucinogen and Man With No Name continuing as psytrance artists.

The style has spawned a variety of subgenres from the clubby Full On sound to the Dark styles originating from Germany and Russia. There is a freeform variation from Finland called Suomisaundi that pushes the meaning of the word psychedelic, and the downtempo Psybient style is popular thanks to Shpongle, a project of Hallucinogen’s Simond Posford and Infinity Project’s Raja Ram that has achieved worldwide acclaim.

Today the scene is not quite as big as it used to be, but it is by no means any less intense. Much of the original hippie ethos of and togetherness and transcendence still continue today, nurtured by groups around the world. To learn more about events in the vein of the Goa spirit, check out our article on Immersion Festivals.

Akhil Kalepu is a producer and DJ from Philadelphia, Pennsylvania. You can check out his work at theinfamousAK.com.

What other genres would you like to learn more about? Let us know in the comments below!

Anjuna Beachdj historygoa musicGoa trancemusic historyrave historyravessub genre
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  • Chris

    btw: after days of listening music on an open air, and then come someone like “Earthling or Psilocybian” on the decks, you didn’t get tired

  • Beatspy

    btw: shamanes do some trance against demons

  • Fozzie Bear

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  • Billy

    I like trance and goa psy trance – send me site like this http://trance-music.org/ where i can download trance in mp3 or Flac

  • drypulse

    nice article. just wish it had links to multiple tracks per each style mentioned so that i knew what they sound like.

  • AreYouShpongled?

    Never thought I’d see Shpongle mentioned on DJTT… Aum

  • partofthepuzzle

    Nice article, though it glossed over many points.

    “India’s famous hashish, which was legal in the United States until the mid-70s.”

    I have no idea where that bit of misinformation originated. I knew several people that spent many years in U.S. prisons after getting arrested for importing Indian hashish in the 60’s and early 70’s and others that were arrested for simple possession of Indian hashish at that time.

  • Sin Sentido Comun

    Nice one, happy to see an article on Goa on this site

  • Rishi Vyas

    Delighted to read inside story behind the Goa Trance scene, also happened to stumble upon on Mahashivratri!
    Do check out my ‘Gayatri Trance’ mix-tape, it has rarest Goa trance from 2005.

    soundcloud.com/bassfakira

  • ItsWesSmithYo

    Fun read fellas…I spun through there around 2010, almost forgot about it until you wrote this.

  • Dj Hangman

    Great article!!! And down below there Bro, I understand what u mean about people dissing djing. U just got to stick with it and love doing it.

  • Joshua Bennett

    Alright, I have to get this off my chest. (And the forum was taking forever to load) I am a dj, I feel like that’s just what I was made to do. But, my parents don’t support that, they try not to show it, but they (for example) wholly support my learning of guitar and drums. They would probably even buy me the best guitar in the shop if that’s all I asked for for my birthday or Christmas or whatever, but they wouldn’t (under the same circumstances) even think about buying me a dj controller for less than half the price of the guitar. To me, this just shows how little people know or care that djing has its own culture and that it’s so much more than twisting knobs and pressing the play button. I feel really depressed when someone disses djing because its my passion. (Sorry, didn’t mean to dig that deep, but it’s been bothering me for the entire time I’ve been djing for and that rant was well overdue). P.S. I hope I didn’t sound spoiled cause I love my parents and I love guitar and drums, I just used it as an example.

  • chris

    btw: LSD or Psylocibin-Mushrooms has some ground taking place in this story. without the feeling in this – and where the trees give you a wave… no no no. Without this, this is not the real story

    • chris

    • blieper

      and without it you won’t hear the 10 secret layers in the music ;}

  • chris

    Phanganist Koh Phangan
    (when you wanna walk there as an professional)

  • Lauro Martins

    When I left Brazil in 2006 it was so huge that there would be 10,000 people + at PSY-Trance parties.

  • 1000 Cutts

    I went to a Goa rave in the late 90’s it was full of pervert Indians trying to get a glimpse of western women peeing in the bushes. Was good fun but nothing like the atmosphere at the Thai full moon parties, never really liked trance too much so that probably didn’t help

  • Omar Nachtraaf

    If you are interrested in what became of the music like Front Line Assembly and Nitzer Ebb you should check out the later history of EBM, Electro-Industrial and Aggrotech/Dark Electro.

    As for GOA, it’s not my genre. But I did get to do the pre-show for Juno Reactor which was really cool.

  • DJ Possess

    I just found my new tattoo!

  • Tomash Ghz

    went to Goa Gil twice, the guy is like over 60 years old and is kicking the heck out of your brain with DAT tapes for over than 12 hours straight. It was the turning point when I realized how powerful music can be.

  • djcl.ear

    Coming myself from some other unmentioned branches of the same resounding Psytrance organicity, I would like to point out that the basis of this music and what actually defines the genre is the Experience itself.
    It is not the machine or rhythms that it is made of. It is neither TECHNO, Drum & Bass, nor Ethnic World music. It is Trance, the state it aims to, possibly utilizing all the those mentioned.
    In fact, its continuous search for the “perception shift” demands that the instruments, sounds, elements and combinations perpetually adapt, and so requires DJs and musicians to explore and dwelve either in the latest technology, the newest musical referents, chords, rhythms, etc. or the earliest, oldest ancient knowledge about Trancing for instance, besides adding the odd, humorous or plainly mood surprising/inspiring alternative (like much of the Finnish or Australian Trance do).
    In sum, PsyTrance plays run and catch with the dancers in order to keep fascinating with its journey. Underground is sort of embedded in such moto.
    //Of course, there always are those musicians and DJs who decide to stick to the templates and are usually found crowding sub-genres like Full On, Progressive, Dark or any of the most popular subcurrents ( -in a way- they help supporting them). They migh be more accessible but hardly define this genre basis or evolution.

    ///There are a neverending current of such Psytrancers gathering at places like Psynews.org, Musicians, DJs and followers who still center in creativity and differentiated sound, like it was regular and prominent around 1995, 1997, and 1999, when most groups had their own, unique sound and mix of elements,
    Musical Groups like the ones mentioned above and Eat Static, Spectral, KoxBox, Hux Flux, UX, Transwave, Prana, with a long etc. Plus a surging international parallel growth of tribes (possible constitued of a small number of people, but highly fertil) reunited in labels like the Dragonlfy, Flying Rhino, Transient, Matsuri, a groups of satellite countries each comprising same complexity and sophistication in terms of sound, Visuals, decoration, clothes. Manifesting in many notable productions (Small to mId-size) including a few Big recurring Festivals, all supported by some publications, world season routes and a traveller’s multinet.

    Hope it helps steering tunned resonant explorers.
    Bliss & Bless, If I may.

  • Ola

    Eight Finger Eddie is dead.

  • Syn

    Yeah baby, 604 paradise!!! It’s not what it used to be because it turned commercial but it’s still one of the best places to Party on Earth.:) Unfortunately, the golden Age of Psytrance ended around 2004. That’s about the time I quit the scene. Kids today go to Psytrance parties to do hard drugs and listen to Schizo Dark Psy and all that crap. Long gone are the days of good ol’ LSD, happy vibes and ear to ear smiles where everyone was friendly. You still get that in some countries but it’s getting harder to find those places these days. There’s still some badass Psy out there: Fungus Funk – Microcosmos / Technical Hitch – No Chill just Kill, just to name a couple. Party On!

    • schwarm

      “Long gone are the days of good ol’ LSD, happy vibes and ear to ear smiles where everyone was friendly.”

      Nonsense

  • Viciouss Hoffmann

    Now we are talking my language!
    Looking forward to “How I Play” with Rinkadink 😀

    • blieper

      marauderrrrrrrrrrrrrrr!

      • vivek

        But people call me giorgio! (:

  • playfool

    psytrance is still pumping today! Here in europe are lots of psy people, festivals and parties. I think the scene has never been bigger actually

    • Viciouss Hoffmann

      In Brazil, specially near São Paulo there is literally 2 to 4 parties every weekend.

      • playfool

        Yeah I know, I’d love to visit sout america for some parties 😀 Do you do some kind of psy yourself? I’m always intersted in hearing new, different stuff in the genre 😀

    • fujak

      yeah, more people….less psychedelic :/ they even took the word out of the genre and changed it from psychedelic trance to psytrance

      • meowza

        dude thats because you dont have to say psychedelic trance every time. easier to just say psytrance. same thing 🙂

      • playfool

        thats just a matter of definition. There are lots of kiddies, but I like that it grew bigger. Gets more space to eveolve I think 🙂

  • oma77

    nuschool breaks history:)

  • oma77

    break beat, nuschool bresk history please!

  • Jester

    Nice One! An article right up my alley 🙂

  • calgarc

    Lovely story 😀 and… Juno Reactor 😀