Tiny Vinyl Explosion! Mixing on 45s with DJ Format

There is a small, but dedicated contingent of dj’s out there that not only spin on vinyl, but on the rarest of formats: 7″ records. Today we shine a spotlight on that scene including an interview with one dedicated 7″ dj “Dj Format” and highlight some of the ways in which you might consider exploring the world of 45 culture.

12″ vs. 7″ Vinyl

Besides the obvious size difference, what else separates 7″ vinyl from the familiar 12″ record. Due to the smaller size 7″ records are only capable of holding about 4.5 min at 45 RPM (the more common speed) or 7 minutes per side at 33 RPM, while 12″ records are capable of fitting about 22 minutes at 33 RPM or 15 minutes at 45 RPM.  The limited time makes the format suitable for singles rather than full albums.

Although 7″ records can be cut for 33 RPM it’s not the best idea:

7″ records are smaller, so naturally the grooves are more compressed. As the grooves get closer to the center of a record the groove width is reduced. Therefore, at the slower speed of 33rpm, distortion can be highly noticeable and cause an unattractive sound. With the circumference of 12″ records, there is more surface area to experiment with. It is more manageable to engrave the outside of the disc where there is better frequency response and minimal tracing distortion. If you have your heart set on putting out a 7″ record, remember that it is highly recommended to record at the speed of 45rpm. (Source: Record Pressing)

Another notable difference is with the weight. While the weight varies, 7″ records are generally around 40 grams vs. 120 – 180 grams for 12″ records, making 7″ records 4x lighter. This weight may not seem like a big deal, but try telling that to any DJ that’s lugged multiple crates of 12″ vinyl to and from gigs.

Why 45’s over 12″?

So if mixing with 45’s is more of a challenge compared to mixing 12″ records, why do DJs do it in the first place? As mentioned earlier the smaller size/weight makes them easier to carry around to gigs. They’re also cheaper relative to a 12″, since it’s just a single track on each side rather than a full album with multiple tracks.

I started buying Hip Hop 45’s in the late ’80s because you could buy them really cheap in regular shops like Woolworths rather than specialist record shops. Another reason I use 45s – you are less likely to get feedback because they are generally pressed louder. But with a 12” album, because they’re trying to fit on a lot of tracks onto a record, they’re pressed quieter. That’s why 45s pretty much rule! – DJ Format

I like the portability and size, it’s a fun format (no pun intended) to play as well. I actually learnt to cut up on 45s first because the first decks I had access to were only Belt Drive so we were always raiding the cheap bin in Woolworths for 7″s as they didn’t drag when you let them go so much! – Mr. Thing (Source: The Doctor’s Orders)

One of the biggest challenges with mixing vinyl, whether it’s 12″ or 7″ records is you’re limited to how much you can carry or travel with from gig to gig. How can you prepare for a vinyl only gig? How should the set start? DJTT caught up with vinyl only DJ, DJ Format to learn why he only mixes with vinyl and how he prepares for his sets.


DJ Format’s own career took off in 2003 with his acclaimed debut album ‘Music For the Mature B-Boy’. Three more albums have followed since, along with his ‘Fabriclive27’ mix and an excursion into soundtrack psychedelia with collaborator Simon James as ‘The Simonsound’. He has toured with Jurassic 5 and played at Glastonbury, Reading & Leeds festivals and his skills have taken him across Europe, North America and Australia.

Why are you a Vinyl only dj? 

It’s not a snobbish thing. I don’t have any problem with someone using Serato. It’s just a personal choice. There probably are some vinyl DJs that do get quite anti-Serato, but each to his own. I just prefer to play vinyl. I’ve collected vinyl since I was old enough at school with a part time job. As soon as I had some money and could buy records, I never stopped. I’ve just never lost that urge to own good music on vinyl and play that vinyl out.

For a while I felt like I was the only high profile DJ still using vinyl so it kind of became a novelty thing although I think other people attach more importance to it than me. But I think that was the point where I felt I’m definitely not going to change now. It’s just a personal thing.

You use 45s a lot also so I wondered if your technique had to be adjusted at all, especially when scratching? 

It does but it’s only a case of just adjusting and being a little bit more light-fingered. It’s just one of those things, once you practice a bit and get used to it, it becomes almost the same as 12” and L.P.s. It can be a little bit weird going from a 12” to a 7” back to a 12” when you’re scratching – just making that adjustment – but ultimately it’s fine.

People seem to be more impressed when they see cutting and scratching and intricate mixing done on 45s but really it’s all the same to me.

There is a whole generation of young DJs now coming through who might never have used regular vinyl. What do you think about that?

I must be honest that the romantic in me feels sad when a DJ walks up with no equipment. I’ve been at gigs when the DJ turns up with just a memory stick to put into a CD player, they don’t even have a laptop. Sometimes it’s baffling to me. But there’s no point in being negative about it.

Just because I choose to DJ a certain way it is just a personal thing, it’s none of my business what other people do. But the romantic in me does feel sad.

Learn the benefits of starting to DJ with vinyl.

Where To Find 45’s?

Photo Credit: Ryan Howerter

So maybe now you’re inspired to start experimenting with 45’s but where do you find them? A great place to start is the local record shop or garage sales in the neighbourhood, where you can probably get them for a $1 or less each.

If there’s no record shop in town, no problem. Start checking out Craigslist or online record shops. There are several record stores that ship and sell 45s around the world. We’ve listed 4 worthwhile sites to check out below:

  • Amoeba Records – One of the largest independent record stores and featured in the famous documentry “Scratch“. They include free shipping as well.
  • Discogs – A massive marketplace with over 15 million records available to purchase.
  • Turntable Lab – While they don’t have the biggest collection of 7″ vinyl available, it’s a great site to find brand new 7″ records.
  • Classic 45s – This site only sells 45 records. The design is dated but it’s still updated regularly, with over 165 releases added this week.

All 45 Mixes and Performances

There are some incredible performances and mixes that strictly use 45s. We’ve compiled a few great mixes and routines to inspire DJs that are up to the challenge of mixing with this format.

Skratch Bastid and The Gaff – 4 x 45s Freda Payne / JVC Force Routine

Skratch Bastid and The Gaff team up to showcase a routine from their “Soul Sisters, Stand Up” mix, cutting and juggling four 45 copies of Freda Payne. Super soulful!

DJ Shadow and Cut Chemist Brainfreeze Set (All 45s)

Recorded from a rehearsal for their “45 sessions” tour, almost the entire mix is done with rare 7″ records. Interestingly there were only 2000 CDs pressed of this mix. Any vinyl that’s available is a bootleg copy.

Flipout – Dre Day All 45 Set

Flipout put together this all 45 mix to celebrate Dr. Dre’s birthday. You won’t hear Dr. Dre tracks but you’ll hear tracks that Dr. Dre has famously sampled or interpolated in his productions over the years. Listen and see if you pick out the samples and name the classic Dre tracks they belong to.

Looking for more vinyl + 45 DJs and mixes?

  • Fleamarket Funk – Funk, Soul, Jazz, Reggae & Hip Hop Vinyl Culture
  • Soul45 – Mark James & Waters are the “Soul 45 DJs” and regularly host 45 only parties
  • 45Live – Dedicated to celebrating 45’s DJ culture worldwide! A great place to learn more about 45 only DJs.

Cut ChemistDJ Formatdj shadoweclectic mixingFlipoutinterviewMatt Fordmixing hip hopmixing with 45smixing with vinylscratchingscratching with 45sseratoskratch bastidThe Gaffvinyl DJingvinyl only
Comments (18)
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  • Arno

    Love the article, I love 45’s! Just misses one reference tho: The 45 king!

  • Martin Wilson

    He could save even more weight with a coupla THESE bad boys:

  • Martin Wilson

    He could get even MORE weight savings with a couple of these:

  • Chris Wunder

    The weight savings seems crazy too!

  • Funk Hunk

    I use wax because i own thousands on songs that are not upload to the interwebs and can only be found in my crate. Suckers.

    • CUSP

      A few years ago, I bought a record player specifically to rip tracks to digital (FLAC) from vinyl for my Dad’s record collection. I just don’t care about those ‘exclusively vinyl’ tracks anymore because there are so many new tracks that are so very good. I suppose if I wanted to, I could find old vinyl, and rip it, but I’d have to be really motivated.

      Acting like vinyl is some superior form of recording with secret gems that will not ever cross over to digital is a seriously flawed way of thinking. If it’s good, it will make it to digital, rely on that.

      As for playing with record players, whatever floats your boat, man. It’s like announcing your sexual preference, there will be people into it, but there is no “right way.”

    • Oddie O'Phyle

      I have a bunch of Beatport and digital exclusives that’ll never see vinyl. I’ve owned Selective Ambient Works and Analog Bubble Bath on vinyl, but try finding 2015-user487363001 on wax… I can still rip vinyl at the cost of a decent turntable, but you may have to smash your piggy bank or sell your tables just to get digital exclusives and unreleased tracks pressed as white labels.

      • Heliskinki

        There’s a reason why those tracks haven’t been committed to vinyl.

  • AuralCandy.Net

    Got to love DJ Format’s liberal “live and let live” attitude towards all forms of DJing. More DJs ought to adopt the same attitude. Way too many DJs out there have this attitude, that their personal preference of DJing is the only form of DJing worthy of acknowledgement and respect.

  • Oddie O'Phyle

    lol… reminds me of being young again. As a kid, it wasn’t uncommon for a 3 or 4 year old to have a Mickey Mouse turntable and a bunch of read along books on 45. I’ve always thought that more people should use them for turntable routines.

  • DJ alt.rock

    If I were to switch to analogue DJing it would be with either 45s or cassata tapes. I was a cassata mixtape beast in the late ’80s and ’90s. Sometimes I want to buy 2 hack-able tape decks and a mixer and start collecting. Then I wake up and realize that that would be super complicated.

      • DJ alt.rock

        He was dope but I don’t scratch. I would just like to be able to have
        pause buttons with good action and control over the pitch. I’m sure they
        made pro decks out there with those parameters but they gotta be mad
        expensive, even now.

        • Oddie O'Phyle

          Reel to reel

          • CUSP


          • Oddie O'Phyle

            LMAO… my household had a Marantz 4270 when I got my Mickey Mouse turntable in ’78. Those old Quads are nice.