Silent Discos are becoming more popular throughout clubs and festivals. The novelty of being given a pair of wireless headphones with three or more different channels of music to listen to is still fresh. For many DJs, this is new terrain and the concept flips the dynamic of DJing on its head. How do you mix when you can’t make out your audience? What are the differences between sound coming out of a PA system and a pair of headphones on each person in the crowd? Read on for tips and techniques for when it comes time to DJing your first Silent Disco gig!
Brief History of Silent Discos
The earliest reference to silent discos comes from a 1969 Finnish science-fiction film Ruusujen Aika (A Time of Roses) where characters wear headphones during a party. The concept of using headphones instead of sound systems would be used by eco-activists in the early 1990s to minimize noise pollution and since then technology has allowed the party genre to grow. In 1994 Glastonbury Festival linked an on-site radio station to a video screen so attendees could watch the World Cup and in 2000, BBC Live Music held a “silent gig” in Cardiff where concert goers listened to a band and various DJs through headphones.
The term “silent disco” has been around since at least 2005 with Bonnaroo advertising such an event that year with DJ’s Motion Potion, Quickie Mart, and DJ medi4. DJ Motion Potion’s Silent Frisco, now known as HUSHconcerts, was the first company to produce a multi-city Silent Disco tour in 2008 with Silent Soundclash.
Understand the Setup
DJing a Silent Disco requires using to headphones to mix. One pair of headphones will be a DJ’s personal headphones. Just as a DJ would use personal headphones to mix in a traditional gig, these headphones are for internal mixing. The second pair of headphones is the same pair that the crowd will be wearing. These are wireless headphones and are crucial to understanding how the music is being translated to the crowd. Some things to check for are:
- Do the headphones have a boosted low end?
- Is the mix coming out of the wireless headphones loud enough?
- How loud are other DJs mixing?
- Is there any distortion coming out of the mix?
On the topic of headphones, there is a good chance you will actually be able to get a good idea of how many people are listening to a DJ’s mix. Many Silent Discos utilize LED headphones that color code each channel. Thus, you can look out into the crowd and see how many DJs are listening to your mix and begin to read the crowd.
Sharing the Space
Typical Silent Disco setups involve 3 (or more) DJs mixing on separate channels. DJs are not only sharing the entire crowd but are also competing with other DJs to play to the crowd. Where as traditional solo gigs give a DJ a “captive audience”, here the audience can switch if they aren’t digging what you are mixing. Stick to your style and sound, but consider playing familiar tracks, vocals, and remixes so the crowd stays on your channel.
Having a good sound Is only part of the battle when it comes to sharing and competing with the other DJs on stage. The crowd is going to also be feeding of the DJs body energy and stage presence. Take, for example, DJ A is jumping up and down. DJ B is lazily mixing with their head in the laptop. DJ C is fist pumping whilst belting the lyrics. The crowd will probably be more heavily listening to DJs A and C instead of DJ B who seems bored to be there. The crowd has the choice to listen to a DJs mix and they have to be persuaded based on sound and stage presence. Missing either component means a low amount of listeners and a DJs nightmare.
Go Big and Keep Moving
In a normal club setting, a DJ can start slow and ride the night out like a rollercoaster. All the DJs on stage will be playing different styles and energy levels. There is no agreement as to when to go high energy, when to bring down the house, etc. Therefore, it is best to go big right out the gates. Think of the audience as people scouring through radio stations to find a good song. That being said, if the audience is bored of sitting through a 2-minute long build-up, they will just switch to a different channel! Start out the set with a couple big or familiar tunes. Ensure to keep the mix fresh by mixing constantly every couple of minutes. Here, extended mixes don’t always play out well.
Disclaimer: Of course, play the gig you were brought on stage to play. If you are DJing at a Silent Disco that is meant to have two hours of psy-trance, then longer mixes will be fine. Go with your instinct.
Engage with the Crowd
The audience is staring up to three different DJs and it isn’t clear who is mixing on which channel. Therefore, the audience needs a bit of help to understand which DJ they are listening to through their headphones. Get on the mic and introduce yourself. Let them know what you will be spinning and maybe even let them know how to change channels, increase volume, etc. Statistically speaking, silent discos are relatively new and many people will be experiencing it for the first time. Furthermore, different clubs, events, and festivals will use different headphones. People may need some guidance and the DJ is the first place they will look.
Step Outside the Box
Silent Discos are very liberating for the audience, giving them the power to tune out if they don’t like the sound. If you don’t normally speak on the microphone, come up with a handful of statements you can say on the mic to get the audience familiar with you and your music. Also, ensure that your crate for the night goes beyond a playlist that spans the duration of your set-time. Unless it is evident that you are supposed to be DJing a specific-genre, you may find that you need to go outside your normal genre to rope the audience in. Have some bangers, familiar vocal tracks, and classics that you know people will recognize when you drop them.
- Keep a spare pair of silent disco headphones in your booth. Batteries may die, beer may be spilled, and acts of nature cannot be stopped. Sometimes one pair of silent disco headphones won’t last the entire set. It is a good idea to have a backup pair at the ready.
- Your sound isn’t traveling across the club. Silent discos mean that the audience is directly connected to the master output of your mix. As we all know, music sounds very different when played on headphones versus a PA system. The audience will be able to pick up on nuances and will also be able to hear middle and high frequencies easier than the low end. Keep that in mind when mixing to ensure the mix is tight and the levels are appropriately adjusted.
- Not all silent discos are created equally. Headphones and technology transmitting the audio signal differ so keep this in mind in terms of EQing and latency. Tracks may need to be boosted on certain frequencies. There also may be a delay between your mix and what the people are hearing.
- Practice mixing with two pairs of headphones beforehand. When practicing for a Silent Disco gig, use another pair of headphones instead of speakers. Get used to taking off headphones repeatedly to mix. It can be cumbersome and a little convoluted at first to switch between two pairs of headphones, especially if the headphones are on the bulkier side.
Silent Discos are a unique breed of events that every DJ should get a chance to experience. It is so strange to walk on stage and hear nothing but the crowd; talking, singing, and shuffling their feet. No music. Then, when the headphones are on the magic begins. The DJ gets right into the head of the audience. Hopefully, these tips help DJs new to the format get more familiar with how to DJ a silent disco.
Have you DJ’d a silent disco? Share your tips and experiences in the comments below!
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I’ve helped run a Silent Disco at a local music festival for the last three years now and thoroughly enjoy it.
Like them or hate them, without the concept of a Silent Disco we wouldn’t have been given the opportunity to play at this particular festival as the noise from a standard PA system would have clashed with the other stage on this relatively small site.
My tips to share are:
Like mentioned above, not all systems are created equally, we’ve had three different companies supply the hardware with three very different sound qualities. Not much you can do here unless there is an opportunity to try before you hire.
I like to use the Cue/Master fade on the mixer to quickly switch between what the audience is hearing and what is cue’d up (or a bit of both). But as mentioned above it is essential to also hear it for yourself through the wireless headphones.
Lastly, be mindful of which set of headphones you have on. It is easy to stick the Audience Wireless Headphones on, get lost in the music then panic when you cue the next song up because nothing is coming out your cans! https://uploads.disquscdn.com/images/c84d13230efd04d93e26c3f1c44f195d80e326222d3941609a16baac8e55c96a.jpg
What was the best sounding equipment you used?
Silent Discos are awesome. I played once at a big Festival (the Big Day Out) in Adelaide, South Australia.
Like any party, you need to know how to read your crowd. You know when they’re listening to what you’re playing by the way they move, they way they look over at you, the way they react (singing, smiling, fist pumping).
I kind of cheated – it was Adelaide in the late 90s and jungle was massive, so I played Jungle. People came up to me and said “I thought I’d never hear jungle at a BDO!”. They ran off and got their mates. I soon had the whole floor pumping. The other poor guy didn’t have a chance, even though he was probably a better DJ than me.
Adelaide now has a silent disco every year during their Fringe Festival, with some of the best DJs in Australia playing. This is during the day usually, and the old school ravers bring their kids and dance along with them. People who haven’t seen each other in years jumping about with their kids, the kids making new friends, and those kids being introduced to music their parents love.
I knew some kids at Harvard who did this with a low power FM station. It was a lot of fun! We danced all over Cambridge and kept moving the party from place to place. Some people had radio headphones and joined in along the way. Other people just looked at us all dancing to music they couldn’t hear and were a little freaked out.
Silent disco… What a dumb shit.
The most striking thing about DJing at a Silent Party is that as soon as you take of your headphones off you are kind of disconnected from the sound. So imagine you want to talk to your fellow DJ and have to take of your headphones – it could happen easily that you forget to put on the next track simply because you don’t hear the music anymore. On the other hand I found DJing at Silent Parties extremely liberating because you don’t need to stick to master plan. You play what feels right. And it’s a nice competitive situation with your collegues to see who has the most followers.
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I might be close minded here.
But I just don’t like the idea of this.
People have a hard enough time being tolerant and happy with each other.
To separate music, the nightlife and unity I can’t help but get a self-centered vibe. At my work everyone wears headphones and acts as if they are interrupted, whenever they are talked to.
I hate it
Anyone here ever was in a silent disco where they had subpac M2’s? It would change the whole experience. Because honestly, as for now silent parties are just a gimmick now. No decent low end and not feeling the lows break it now. Subpac M2 experience could be interesting.
It’s definitely next level. We offer SubPac rental options to go along with our silent disco headphone system d(-_-)b
Hi People is a very interesting info, i think that many people may be interested to know how to set up a silence disco or party. radio systems – headphones – and so, could you guide us?
There are quite a few options out there. Tips include:
Run each DJ through a compressor and limiter, then transmitter. Make sure all the gear is running through a UPS, ideally keep the two DJ’s setup including transmitter etc on a separate power supply and UPS. This helps in situations where the supply is not stable, such as music festivals, and ensures that at least one channel is working at all times.
The headphones are relatively cheap when bought in bulk, however transporting them, and changing the batteries is a nightmare. Leaving a few thousand headphones switched on for only a couple of minutes when not needed will cost you. Expect to have a good number broken at the end of the night from being trampled on or liquid damage, and unless you have security I’d advise taking a deposit per headphone.
Another thing is to try and calm it down earlier on in the night before closing, otherwise you can have 10,000 people trying to return their headphones at once. Make sure that each DJ has a mic, if there are emergencies you need to be able to get through to everyone in the crowd.
These are great pro tips, David! Here’s a new article with some more useful info: http://djtechtools.com/2017/10/02/throw-silent-disco-promoters-guide/