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Creating Ableton Effect Chains and Randomization Controls

In the light of Bento San’s excellent Mapulator patch for Max for Live, many of you will be looking just that little bit harder at Ableton Live and what it can do for you. If your interest was piqued but you’re not quite ready to take the plunge into Max for Live yet, today’s article will be right up your street as we take a look at how Live’s audio effects rack can be used powerfully and how to add randomization to an Ableton DJ set.

IMPERFECT SOLUTION

One thing to clear up before we even start: Live out of the box can’t match Mapulator’s capabilities for a few key reasons:

  • Live can’t assign a MIDI mapping to just part of a controller’s range of values
  • Live can only create a linear curve for mapping purposes
  • Live can’t mix and match MIDI randomization and audio tracks

Live does have a decent amount of potential when it comes to MIDI mapping, though; the secret is the audio effects rack.

RACK UP THOSE EFFECTS!

Ableton’s audio effects rack is a way to stack a collection of effects, which can not only be saved for later but also control the effects and how they interact via powerful macro knobs. The most powerful function of the effects rack is the ability to set up ‘chains’, which are separate banks of effects that can be split and stacked into zones across a 0-127 range – this allows them to be switched on and off as a control is taken through its range of motion. Using this technique we can approximate, albeit somewhat less elegantly, the way that Mapulator can have different effects values in different positions of a control range.

CHAIN GANG

It’s a shame that the audio effects chains can’t have automation for controls stored in them, that’s the thing that would be really needed for one of the important concepts of Mapulator to ‘come as stock. Whilst we can’t do anything about that, we can still have some fun with our effects racks by setting chains up that contain a variety of different effects, or even the same effects with different parameters to give us an approximation of the kind of automation Bento San created.

For every effect (or group of effects) that you add into an effects rack, a chain is created. You can move around these chains anywhere along a 0-127 range so that they’re enabled at various points of a MIDI control. There are a couple of things to note about chains, though:

  • Set up an empty chain if you want to have a dry signal at any point, or no audio will play.
  • Audio is sent to every chain, so if you have multiple effects chains active at once you’ll end up with a loud signal. Adjust the volumes of each chain or their crossfade, which is done with the line above the main chain.

There are a couple of ways we can move through the effects chains, but first we need to use the macro mapper to attach the chain selector to a macro control by right clicking the selector slider and assigning it to a macro knob like so:

Once that’s done, we can use Live’s MIDI mapper to attach that chain selector to a control we want. A knob or slider is an obvious choice, but we can also use a range of keys to give us instant access to specific points in the chain range by pressing the lowest and highest key we want to use. This is handy for, say, setting up eight discrete points in a chain and assigning a key, or button, to instantly jump to each effect.

LET’S GET RANDOM

Now we’ve got a saveable effects bank that we can use individually or have a superknob ready to skip through available sounds. If we go one step further and think outside the box for a second, we can do something even cooler. MidiPipe and MIDI OX (one for Mac and one for PC, both free) both let you randomise controls. Instead of getting a smooth movement from 0-127, turning a knob, sliding a fader or pressing a key gives you a different value every time.

If we set up MidiPipe to randomise a key, we can use just a single key to jump to a random point in the chain range for completely unpredictable effects every time you press a single key. Combine this with a knob that adjusts all the effects at once, from subtle to monstrous, and we get an amazing  random effects button that, despite not being totally sure what’s going to come out, we’re in total control of the strength of.

This is really simple to do too, and just needs two commands. I’m going to use MidiPipe as an example:

As you can see, all we need to do is set up a key mapper to grab a key, and then a randomiser to turn that key into a random choice of a select number of keys. Here are a few key points to remember:

  • It’s important to ensure that we only randomise a specific key, or else we’ll ruin the rest of our mapping! To do this, we ‘solo’ the input key in the key mapper.
  • Rather than setting MidiPipe/Midi OX to ‘hijack’ the MIDI port we’re using, we need to set it to just work alongside its normal operation, allowing it to intercept the command but at the same time let everything else through.
  • Set up the buttons you’re assigning to your random input in Live first! (unless sitting through a completely random number of button presses until you get to the right one is your idea of a good time.)

 

THE END RESULT

There you have it, a primer on Live’s Effect Racks, and a crafty look at how to go outside the box (for free) and create a little random excitement. Before we go though, have a couple of freebies on me: an effects rack with a chain already set up and waiting for you to map however you like, and a MidiPipe file that will give you the basic idea of the randomisation technique in case anything’s not clear.

Download Live Effects Rack

  • Starts off 100% dry
  • Moves into Erosion distortion
  • Blends with Reverb
  • Switches to Phaser
  • Blends with Beat Repeat
  • Filter Delay blends in
  • Finishes on huge Reverb

Download MidiPipe Randomiser

  • Set the MIDI in/out to your controller
  • Grabs C4
  • Turns C4 into any note from C4 to G4
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  • Theo Void

    I love Ableton! I’ve been making custom racks for a long time now. I have a ridiculous amount of racks saved that I use for various things. This Mapulator seems pretty f’n amazing! I may have to go back thru all my racks and see what I can add using the Mapulator! 

  • Squad

    MACRO Randomizer is a good alternative to MidiPipe!
    http://www.maxforlive.com/library/device.php?id=159 

  • ive always wanted to make a decent “fade to grey” style effect and also a beatrepeat + filter combo so the combo of the Mapulator and effect chains is awesome in my book!! 

  • BentoSan

    “It’s a shame that the audio effects chains can’t have automation for controls stored in them, because that’s the thing that’s really needed for one of the important parts of Mapulator” – I don’t understand that sentence at all.

    If your trying to say you cant automate an effect nested in a chain, you certainly can. In fact a forthcoming feature i have already coded and im extensively testing is the ability to save save a rack with Mapulator saved inside into your live devices rack tree. Mapulator will be able to “survive” being reloaded anywhere in the set – thus giving the users the ability to share really cool effects.

    If your trying to say that you cant automate the fades and chain start/stop points then that would be true, however Mapulator makes this functionality virtually nul and void as you you can automate the volume faders on each chain to switch between effects chains – in fact you have a lot more control in switching in-between chains because Mapulator lets you have way more accurate control over the volume fades than Ableton allows you. Put simply all the chain selector is doing is automating the volume between each of the chains, which can be quite limiting when creating effects.

    If you want each of the effects chains to have its own unique modulation in Mapulator, then you would simply have different starting/stopping points in Mapulator for your desired shape.

    Id beg differ with this sentence and would say that there is no “important parts of mapulator” missing when it comes to dealing with effects racks at all. In-fact mapulator only serves to improve the performance of racks. If theres something that you think that you cant do with Mapulator just let me know and ill point you in the right direction.

    • Chris Cartledge

      Hi BentoSan, my point was that chains can’t have automation data for effects stored in them – you can’t draw an automation lane inside a chain, which would be cool and is one of the reasons I think Mapulator is cool.

      I’m not saying that Mapulator is lacking at all, I’m saying that Live is lacking and Mapulator introduces that functionality – I’m about to edit the sentence to:

      “It’s a shame that the audio effects chains can’t have automation for controls stored in them, that’s the thing that would be really needed for one of the important concepts of Mapulator to ‘come as stock'”

      because I agree that perhaps it was a little unclear. Cheers 🙂

      • BentoSan

        That works 🙂 thanks for straightening that up!

    •  hi! regarding what you said about saving a rack with Mapulator in it, that seems to work fine for me. i made an LPF/HPF one knob filter with it yesterday and when i load the rack everything loads just fine and the Mapulator’s graphs are all in place! thanks again for the awesome device.

      and thank you Chris, for exposing the sometimes not so easy world of complex effects rack mapping! great tips there.

      • BentoSan

        It only works if you load the rack back into the EXACT same position, if you try loading it into a different channel, or even right next to the first instance it will fail.