In a DJ set, when you start to add more tracks to the master output, it’s really easy to combine too many elements and overwhelm the audio spectrum. Today in Ean’s “good for everyone” tutorial, learn a few tools for creating room in your mix for new tracks. The tips start out with the basics, but even well-seasoned DJs will appreciate the last technique.
Make Space in Your Mix
One of the best tools for seeing how “full” your master output are your VU meters. When the master output of DJ software starts clipping, you can hear it start to compress the audio. When combining tracks together, it’s pretty easy to understand that if you’re going into the red on multiple channels, the final output will likely be very busy.
Don’t want to watch the video or need a refresher? Here are the basic tips tips that Ean discusses in the video:
- Pick a section of the incoming song that has a lot of space. The most easily discernible example of this is when you play two tracks that have vocals happening at the same time. This can happen with other audio in the spectrum, so carefully choose what part of songs you’re mixing together.
- Use your channel faders to carefully control volume of your tracks – turn one track down while the other is going up. This is pretty basic stuff!
- Utilize the EQs to swap out different frequencies while mixing. The most common method of this is “swapping the bass”. This means turning down the low EQ on the incoming song, and then at the end of a phrase, turning it up while at the same time turning down the low end on the outgoing song.
- Use the filters in a similar way to the EQs to exchange frequencies.
The Advanced Techniques
He then goes a bit more advanced with his other tips, including using advanced FX techniques:
- Use reverb to “spread out the sound” on an outgoing track. This has a “widening effect” on the audio – and a new track coming into that reverb’d mix will have space to come in naturally, with a bit more clarity.
- Ean uses reverb freeze at the end of transition when taking the song out – making for a less abrupt transition.
- Activate a delay / delay freeze. This technique will keep a slowly fading echo of the old track in the mix, which feels very natural.
- Use a bi-pole filter effect (Ean uses a Filter:92 effect in Traktor). In his example, Ean uses this to remove some of the audio from each end of the spectrum. Watch the video for a full explanation as it’s a bit more advanced – skip to 10:00 in the tutorial to see it!
