Lock//Stock's Producer and Controllerist Wonder Setup

**JWreck** · 05-15-2012, 02:21 AM

My name is Jarek Reynolds. I have a couple monikers I go by when I make/perform my music; one is JWreck the other is Lock//Stock.

Here is my producer/controllerist wonder setup. Hope you guys enjoy the pics! I took the pics right after unpacking from being on the road, so not everything is properly hooked up.

Here is the setup:

x1 Macbook Pro
x4 JazzMutant Lemurs
x2 NI Maschine
x1 Akai MPK 49
x1 Apogee Duet
x1 Frontier Alpha Track
x1 Akai MPK Mini
x2 Mackie MR8
x1 KRK 10S Sub
x2 Bass Hats
x1 Buddha
x1 iPad
x1 Venti Starbucks

Software:

Ableton Live
Logic Studio
Komplete 8 Ultimate and a bunch of other vst steez

Also check out my links!

https://twitter.com/TheJWreck
https://www.facebook.com/LockStockofficial
http://soundcloud.com/lock_stock

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**Crowd3ontrol** · 05-15-2012, 03:08 AM

hella sick setup! any videos of you in action? Do you preform with just the JazzMutant Lemurs?

**nickterry** · 05-15-2012, 06:03 AM

What the fuck? so much stuff man... sick

**Otacon** · 05-15-2012, 10:43 AM

damnit those lemurs look f'ing amazing! super jelly

**JWreck** · 05-15-2012, 11:13 AM

@Crowd3ontrol

Here is a somewhat recent video of me doing one of my Hybrid DJ/Controllerism sets:

Right now I'm actually on hiatus from playing shows because I'm in a huge transitional phase where I finally have enough original music to play a full Live PA/Live Performance set (think Ritchie Hawtin meets Glitch Mob). So I'm spending endless hours upon on hours programming my Ableton Live set along with the interfaces for the Lemurs.

My new live show will be me controlling two Macbooks running Ableton Live with 4 Lemurs. One laptop will contain all my loops for the full set and the other laptop will contain every sound sampled note for note from those loops. This way I can do a Live PA style set but at the same time retain a "playable sampler version" of any loop in my set.

I've managed to reverse engineer the Ableton sessions of people like Pretty Lights, Glitch Mob, Ritchie Hawtin etc... and re-tailor them to fit my needs as a live performer/controllerist.

The only downside to my new direction for my live show is that it takes forever to engineer a full set in Ableton and also programming Lemur interfaces.