Vinyl sales are up. They're one of the few forms of physical media that's seen gains in the last five years. But is it just a fad in the music consumer market, or is it also the case in the DJ industry? We take a closer look at a fascinating trend in DJ technology in today's article.
There's been a buzz in the international DJ community as the winner of a major Thre3style event was discovered to have faked his set. For all the production that goes into Red Bull's DJ competition, we're amazed that a few basic concepts haven't been implemented that would instantly allow judges, fans, and fellow competitors to detect fake DJ routines.
For performing and producing musical artists, being interesting and unique compared to others feels like an important consideration. In today's editorial, Fame House's Hisham Dahud challenges every DJ, producer, and musician to stand out from the crowd by building a unique artist identity and presenting it to the world - not by comparing yourself and competing with other creators.
We witnessed on Twitter last week a member of the DJTT family, Shawn Wasabi, get robbed of his entire setup out of the trunk of a parked car. His one-of-a-kind Midi Fighter 64 was stolen, and to make matters worse for Shawn, his laptop and backup hard drive also got nabbed. But there's a lesson here for everyone: it's never to early to start thinking about how you can prevent this type of total loss situation and keep your DJ gear safe.
Recently, Ean played a gig at a unique venue without a proper DJ booth and came back to the office the next day wondering what good options existed for DJs who need to set up their gear in a presentable way. We've done a bit of research to find out what's on the market - keep reading to see our findings and to add your own solutions in the comments!
Just announced today at South By Southwest Interactive, there's news big news for DJs and producers alike: the Apple Music streaming platform will soon allow remixes, mashups, and mixes to be added to the platform. For DJs and producers, this means there's a chance for unlicensed works to actually get higher profile exposure, while a partnership with Dubset will allow the original artists to still receive royalties from the use of their work.
Most musicians and DJs have heard of (and know to avoid) pay-to-play schemes, where a promotional company offers small-time DJs "exposure" and an opening set at a club or festival in return for a fee. But based on a tip we've gotten from DJ Roodz in the New York City area, the practice has made a comeback, with promoters forcing DJs to sell tickets to keep their set times. Keep reading for stories from DJs in the NYC area about this scheme that promoters are running.
Almost every DJ has heard the passionate arguments for why opening acts should show restraint and only exist to serve the headliner's set. But what if they're wrong? What if opening DJs should play to the crowd and not to the headliner's personal preference? Read some great alternate viewpoints from experienced DJs in today's article from guest contributor Steven Maude.