Pioneer’s 2011 products have definitely had an ‘if you can’t beat them, join them’ bent, and feature much improved integration with DJ software. The announcement of the DDJ series surprised many with two different products, one for Native Instruments’ Traktor and the other for Serato’s Itch – with the Itch focused DDJ-S1 on the bench, we dig in and find out whether Pioneer can transfer their hardware calibre to the controller realm.
Product Reviewed: Pioneer DDJ-S1
Included software: Serato ITCH
External dimensions: 26.8 in (W) x 3.7 in (H) x 12.5 in (D)
- Itch integration provides hassle free plug-and-go play
- ‘Slip mode’ has some great uses
- Nifty laptop incorporating design
- At £1099, it’s expensive
- No opportunity to add extra controllers to the setup
THE BOTTOM LINE
If you love Serato software design (especially considering this autumn’s Itch 2 release which will bring it much more into line with Scratch Live) and Pioneer product design, the DDJ-S1 is going to be right up your street. Pioneer have put a lot of thought into how to take ‘classic’ two channel DJing and completely focus the user experience on the controller.
HANDS ON CONTROL
Big, but light, the S1 has the same sort of plasticy feel that the midrange CDJs have – initially a little disheartening but ultimately very sturdy despite the ever so slightly ‘hollow’ feel. The jog wheels feel like CDJ400s and have a nice light that rotates around the edge of the CD sized platter to aid positioning, the lightweight pitch fader will be familiar to a CDJ user and feels the same resolution, and the faders are similar to most DJM mixers – a fairly light crossfader and slightly stiff upfaders.
The size of the S1 has allowed sound ergonomic placement of the effects, cue and loop controls, and they feel good to the touch. Pioneer haven’t shifted much from their design blueprint, and whilst things like the play and cue buttons are a bit smaller than the one on their biggest CDJs they feel much the same; cue buttons and effects knobs offer lightweight clicks and rotation, respectively. The clever raising of the S1 on its underside provides a perfect place to slip your laptop’s keyboard, just leaving the screen on show and strengthening the illusion that the controller is the power house.
Two things that controller users frequently revert to keyboard and mouse for, library searching and finding a specific position in a song, have been thought about by Pioneer too; the S1 features a Needle Drop ribbon strip, which instantly seeks the position on the track on deck and doubles up as an alphabetical search shortcut for your track library in shift mode.
Slip mode, a popular feature on Pioneer’s CDJ900, has made its way into the S1 version of Itch. Slip mode is essentially the logical extension of the idea behind roll; any manipulation to the deck’s playhead while slipmode is engaged creates a Donny Darko-esque tangent whereby time and space are meshed and melded freely up until the inevitable moment when the sound must return to the ‘real world’. Spin back the platter and you’ll get a rewind, but rather than picking up x bars previous, at the end of the spinback the track will return to where it would have been if you’d never touched the platter. It’s a really elegant implementation of effects modifiers; loops become loop roll effects, deck reverse turns into censor mode, and cues can be used as pseudo sample banks.
HARD AND SOFT
Of course, the S1 relies on Itch to create the noises that will emanate from your speakers, but it does have an integrated audio interface and some hard wired function – the mic/aux has dedicated hardware EQ and an emergency straight to master passthrough. Quality is good – nothing particularly jaw dropping, perhaps, but it’s loud and crisp and it has decent headroom on its aux inputs. Aux and mic inputs can also be routed through Itch’s effects. Itch is largely the same across its incarnations in different packs, so it’s somewhat academic to go too far into Itch – this is, afterall, a DDJ-S1 review. It’s worth mentioning that the S1 Itch is pretty fully featured, though, with beat gridding, two effects banks, and a full complement of low/high pass filters, beat crusher, flanger, phaser, delay, echo, reverb, tremolo, repeater, brake and reverse, and the S1 handles the 1:1 mapping of Itch’s features – like instant doubles – with panache.
One of Itch’s biggest shortcomings, which transfers to the S1, is its closed off nature. Despite the total 1:1 mapping of controls, certain things like cue point juggles are less intuitive on the S1’s cue buttons than a pad or button controller, and ideas like our super combo mapping principle are a no go. It’s for this reason that the DDJ-S1 is best thought of as an excellent solution for DJs who want to emulate the functionality of a two CDJ and mixer setup with a light, all in one controller solution, rather than an experimental controllerist’s wet dream.