Want to indicate the moment that a beat kicks in or even modify a song to skip straight past the intro? This is easy in the digital DJ world - but what about when you're mixing on turntables? Today Ean shows a classic DJ technique - using stickers to mark and modify your vinyl records. Watch how it works in this throwback tutorial:
Did turntables ever really go away? We've seen a continued rise of back-to-basics DJ gear, with companies and DJs alike reconsidering the trusty turntable as their weapon of choice. For this week's Throwback Thursday DJ tip, Ean shares an old method of cleaning the contact points on DJ cartridges and tone arms - watch the full thing inside!
One of the oldest tricks in the DJ world is to use any and all of the controls on a DJ mixer to gate or transform one of the playing decks. There's plenty of ways to do it - so in today's Throwback Thursday DJ technique, Ean explains how and why you might want to swipe the input selector in time with the beat. Watch inside:
It was 1998 in a club called the Unit in Sheffield, UK, when I first witnessed live scratching. Like many I was transfixed. I didn’t have a clue who the DJ was, but I remember how utterly amazing the noise sounded and how the fingers would move so fast they appeared to dance around the fader often in a ‘pinching’ motion. It was bemusing, fantastic, and mysterious all rolled into one. Before the time of YouTube it took many years to understand why the hands and fingers moved the way they did. Partly by trial and error and partly by scanning a VHS tape of the 1998 DMC world championships and a Vestax Prime Cuts tutorial, I worked out that the key to it all was the ‘orbit’ scratch.
Watch this infamous turntable cartridge get dropped at 500 FPS!
Since August, the internet has been abuzz over A-Trak’s real DJing campaign. The turntablist took to Instagram with a passionate post about what real DJing is and how it has evolved through the years. A-Trak shares his experience of shifting from analog to digital DJing, while still keeping his performances authentic. The post is seen […]
The 1996 film Vibrations is maybe one of the worst movies you'll ever see about the world of dance music. Its plot revolves around a guitarist who loses his hands in a car crash, only to find himself, after numerous twists, transformed into a leading figure on the US rave circuit when his new tech-whiz friends create robotic hands and tools for him to produce and perform electronic music. With James Marshall and Christina Applegate in the lead roles, Vibrations is the epitome of '90s cyberpunk hokeyness—but for its acting and writing, not necessarily its message. At its core, it aims to illustrate that when it comes to expressing yourself, particularly as a DJ, where there's a will, there's a way. In that spirit, today we look at a few DJs who have adapted their production and performance environs to suit their disabilities, proving that indeed anyone can DJ if you surmount a few obstacles and put your mind to it.
Almost any DJ has the tools to perform with video, especially with well-developed software like vjay, Serato Video, MixEmergency, and recently Cross all streamlining the process. But not that many take on the challenge of video DJing, and even fewer do it in a unique way, instead sticking to mixing from one music video to the next. DJ Woody, one of the most prolific visual turntablists, made the transition back in 2010. Learn about his switch from DJing to VJing, and read his tips for new visual jockeys in this interview.